Our 200th release

After two and a half years of operation Greater Manchester based not for profit label German Shepherd Records has reached the milestone of a 200th release.

To celebrate this auspicious occasion label owners Ian and Bob asked the artists on the roster to contribute material for a compilation album. As with previous milestone releases from the label all proceeds will be directed towards a charity, in this case the Salford based homelessness charity Coffee4Craig which is based in Weaste which is close to the German Shepherd kennel in Eccles.

The compilation contains seventeen tracks and consists of a wide variety of musical genres reflecting the eclectic release policy of the label. From the proto punk of The Get through the psychedelic disco punk grooves of the Screaming Collective, a massive piece of post-rock ambience from Issac Navaro, the alt folk of Keltrix, and the rock styliings of Berllin’s PrunX, amongst many others there is fascinating musical variety from all over the UK, and all the way from Berlin. We are very grateful to JD Meatyard for contributing a track from his new album “Collectivise”. There are brand new tracks, new versions of previously released tracks, and remixes!

The artists contributing to the release are

The Get
JD Meatyard
The Screaming Love Collective
m.t. scott
Issac Navaro
Moff Skellingon
The Junta
Space Mueum
House Mouse
Toska Wilde
Keltrix
Pearl Divers
Night Operations
The Electric Cheese
Bouquet of Dead Crows
PrunX
Dominic Carlton Jones

The stunning artwork for the release was contributed by Andy Quayle (Moff Skellington).

Sample track “Come On” from The Screaming Love Collective :

The compilation is released on August 11th and people are asked to pay £3 or more via Bandcamp. There will be wider distribution via Amazon, I Tunes, Spotify and many other digital platforms but the album will be priced higher through those platforms.
All profits net of distribution costs will be directed towards Coffee4Craig.
Cover for 200

Reconstructing in a fluid universe

June 2nd sees the release of a new EP “Universal Fluid” by German Shepherd Records artist Space Museum.
The six song collection comprises collaborations with other artists from the label including:
Toska Wilde with Bruce from The Get
Moff Skellington
m.t. scott
Positronik
Bouquet of Dead Crows
Of the new release Space Museum reports the following:
“I hit a bit of a creative black spot with my own work so I decided to go back to my original methods and re-imagine the work of other fine musicians on the record label. This has resulted in an interesting collection of material across a variety of styles”
The set starts with a Toska WIlde composition and features the unique vocal stylings of Bruce from The Get.
There are two collaborations with Moff Skellington. Space Museum says “Moff had created some excellent rhythm tracks for use at the Smoked Ears Will Not Grow Back event earlier in the year. they were too good to ignore so I decided to explore options for making something new with them.”
The dark and sonorous voice of m.t. scott appears on the track “Andrew Revisited” which is a remix of the Scott composition “The Ballad of Andrew Trouble”.
Both Positronik and Bouquet of Dead Crows get serious makeovers the former being a massive dub reworking of the classic song “Save If For Me” and the latter by turning  rock ballad “Like A Flower”into a lengthy ambient prog rock deconstruction.
The EP is released on June 2nd via Bandcamp, Amazon, I Tunes and Spotify and other well known digital outlets.
In forthcoming news releases from The Junta (Salford) and PrunX (Berlin) are planned for the following two weeks these will be followed by the second album this year from The Screaming Love Collective (Dumfries).
Universal Fluid

Iron Mouse & Space Museum debut with Treatments

Iron Mouse (formerly Ion-Morph) and Space Museum celebrate the next phase in their partnership with a five track EP “Treatments” released on February 12th. This is their first release under the new name.

The duo’s usual obsessions are in play with tunes about the treatment of mental patients, abusive patriarchs, religion, retro music and cover bands, and politics/duplicity, all wrapped up in layered post-rock electronica.

Here’s a video of lead track “Treatments”